{"id":861,"date":"2021-06-10T08:45:29","date_gmt":"2021-06-10T08:45:29","guid":{"rendered":"https:\/\/sentier-deserteur.ch\/p07\/"},"modified":"2021-06-11T07:28:18","modified_gmt":"2021-06-11T07:28:18","slug":"p07","status":"publish","type":"page","link":"https:\/\/sentier-deserteur.ch\/en\/p07\/","title":{"rendered":"P07"},"content":{"rendered":"

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\u201cEvery man to his trade, as the saying goes. He doesn\u2019t ask for anything when he paints all our patron saints with our faces, and we don\u2019t have the right to ask him to help us bring in the hay.\u201d<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,3_5,1_5″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_column type=”1_5″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_divider divider_weight=”2px” _builder_version=”4.9.4″ _module_preset=”default” width=”57%” width_tablet=”31%” width_phone=”60%” width_last_edited=”on|phone”][\/et_pb_divider][et_pb_text _builder_version=”4.9.4″ _module_preset=”default” header_3_font=”|700|||||||” header_3_text_color=”#b98b64″ header_3_font_size=”24px” header_4_text_color=”#b98b64″ custom_padding=”||||false|false” border_color_top=”#b98b64″]<\/p>\n

JEAN GIONO<\/h3>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.9.4″ _module_preset=”default”][et_pb_text _builder_version=”4.9.4″ _module_preset=”default” header_4_font=”|700|||||||” header_4_text_color=”#330d00″ custom_padding=”27px||||false|false”]<\/p>\n

Le D\u00e9serteur \u00a9 Gallimard<\/h4>\n

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\"\"\u00a0The illustrator became a painter for the Saint-Michel chapel. He switched from pictures on paper to wall-painting, from the small to the large format. The last apostle was painted on the chapel\u2019s internal walls in 1860, and the work would have taken 5 years to complete.<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.9.4″ _module_preset=”default”]<\/p>\n

\"\"\u00a0The wall paintings of the Saint-Michel chapel were dry-painted onto three layers of whitewash laid on top of the coating that covered the walls. The light beige-tone mortar is made of whitewash and grey-yellow sand. On the white background of the whitewash, the painter did an outline in red-brown (using brown chalk), and that can still be seen in some places. The shapes of the halos are often underlined by the preparatory drawing that can be discerned through the yellow colour.<\/p>\n

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The pictures compel the viewer to recall Epinal, and Epinal\u2019s image that was used as a model was that of Antoine-Marcel Raguin (1756-1841). There are two points that favour that line of thinking: first is the sizing error \u2013 the raised hand of the Saint Bartholomew is recopied and badly interpreted on the wall painting, and secondly the roses of the column bases are moved to the top of the leaf arches.<\/p>\n

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ST BARTH\u00c9L\u00c9MY. ST ANDR\u00c9. ST JEAN. ST JACQUES. ST THOMAS. ST PHILIPPE.<\/strong>
\n[wall painting, chapelle Saint-Michel, around 1855]. \u00a9 Robert Hofer,<\/strong> Sion<\/p>\n

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PATOIS<\/strong>
I Mets\u00f6ta a bloc\u00e2 \u00e9 p\u00e9ire qu\u2019an acouley \u00e9 djyablot\u00ebn ch\u2019o Lapey de Dz\u00e8rjonne.<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.9.4″ _module_preset=”default” text_text_color=”#B98B64″ custom_margin=”||-1px|||”]<\/p>\n

The bell of the Saint-Michel chapel blocked the stones thrown by the little devils at the rocks of Dz\u00e8rjonne. The rocks are located under the Saxon mountain waterway \u2013 the \u2018bisse\u2019 \u2013 upstream of the mountain huts, the \u2018mayens\u2019, of Prachavioz, above Haute-Nendaz. The wall painting of the church of Haute-Nendaz recalls this legend.<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.9.4″ _module_preset=”default”]<\/p>\n

\"\"\u00a0What was the first written source for the story of the Deserter? We referred to it at the be-ginning of the journey.<\/p>\n

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Is your first name inspired by a saint in the calendar? Or is that not the case at all?<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cEvery man to his trade, as the saying goes. He doesn\u2019t ask for anything when he paints all our patron saints with our faces, and we don\u2019t have the right to ask him to help us bring in the hay.\u201dJEAN GIONOLe D\u00e9serteur \u00a9 Gallimard\u00a0The illustrator became a painter for the Saint-Michel chapel. He switched from […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-861","page","type-page","status-publish","hentry"],"yoast_head":"\nSentier D\u00e9serteur - Le sentier historique<\/title>\n<meta name=\"description\" content=\"Every man to his trade, as the saying goes. He doesn\u2019t ask for anything when he paints all our patron saints with our faces\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sentier-deserteur.ch\/en\/p07\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sentier D\u00e9serteur - Le sentier historique\" \/>\n<meta property=\"og:description\" content=\"Every man to his trade, as the saying goes. 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